Screening of Selected Early Films of Peter Greenaway, Spring 2008

Screening of James Benning’s feature length 16mm film, 13 Lakes, Spring 2007, Being There: Experiencing Place and Non-place

Michael Snow presents and discusses his film *Corpus Callosum, Fall 2006, Future Past

Screening of three short 16mm films by Tacita Dean, Fall 2006, Future Past

Evening of recent work by Bill Morrison and composers Michael Gordon and David Lang, including The Highwater Trilogy, Fall 2006, Future Past

World premiere of the re-edited and re-mastered film and video cycle, Peggy and Fred in Hell by Leslie Thornton, produced for Electromediascope screening, Spring 2006, Songs, Cycles and Stories

Laurence Attali’s  La Trilogie des Amours (Trilogy of Love), Winter 2006, Love and Obsession

Double Blind by Sophie Calle and Gregory Shephard, Calle’s premiere video project, Winter 2006, Love and Obsession

Evening of selected work by Guy Maddin, Winter 2006, Love and Obsession

Video work from China byYang Fudong, Yang Zhenzhong, Cao Fei, Ou Ning, Fall 2005, Traveling Outside and Within: Four Contemporary Chinese Artists

Five Films by Andy Warhol, including The Chelsea Girls in double screen 16mm projection, Winter 2005

Screening of Matthew Barney’s Cremaster Cycle, Fall 2004

Collaboration with Tivoli Theater to show work off-site: 
Matthew Barney’s Cremaster Cycle, 35mm, Fall 2004
Five Films by Andy Warhol, 16mm, Winter 2005
Dracula: Pages from a Virgin’s Diary by Guy Maddin, DVD, Spring 2005, Uncanny Bodies of Darkness and Light
Time Being and Free To Go (interlude) by Andrew Noren, DVD, Spring 2005, Uncanny Bodies of Darkness and Light
The Decay of Fiction by Pat O’Neill, 35mm, Spring 2005, Uncanny Bodies of Darkness and Light

Storytellers Telling Stories: Video Works by North American Native Artists, including Atanarjuat (The Fast Runner) by Zacharias Kunuk and selected episodes from Nunavut (Our Land) by Igloolik Isuma Productions.  Electromediascope program curated to be concurrent with Nelson-Atkins Museum of Art exhibition, George Catlin and His Indian Gallery, Spring 2004

2-channel video screening of Cecilia Dougherty’s Gone, Winter 2004, Real to Reel

Stan Brakhage Retrospective, Fall 2003, Material & Illusion

Sara Diamond presents her interactive web-based work, CodeZebra – Only the Strong Survive, Spring 2003, Welcome to the InterZone

Evening of interactive web-based artwork, Spring 2003, Welcome to the InterZone

10-Year Anniversary of Electromediascope, Winter 2003, REPLAY: Selected Works 1993 – 2003

World premiere of remastered video from 16mm film, Der Ursprung der Nacht (Amazonas – Kosmos) [The Origin of Night  (Amazonas – Kosmos]) by Lothar Baumgarten, produced for Electromediascope screening, Winter 2003, REPLAY: Selected Works 1993 – 2003

Contemporary African Film & Video with presentation by Aboubakar Sidiki Sanogo.  Electromediascope program curated to be concurrent with Nelson-Atkins Museum of Art exhibition, Art of the Lega: Meaning and Metaphor in Central Africa, Fall 2002

Toni Dove discusses and demonstrates her most recent interactive installations, Spring 2002, Conjurers in the Machine

Evening of interactive web-based artwork, Winter 2002, CyberCinema

North American premiere of NN-891102 by Go Shibata, Spring 2001, Earshot!

Collaboration With Kansas City Filmmakers Jubilee, Benjamin Smoke by Jem Cohen and Peter Sillen, Spring 2001, Earshot!

North American premiere of These are not my Images (neither there nor here) by Irit Batsry, Winter 2001, The Lives of Images Reverberate in Time

Dynamic Sync – In and Out of Time, Electromediascope program curated to be concurrent with Nelson-Atkins Museum of Art exhibition, Tempus Fugit: Time Flies, Fall 2000

Selections from the Whitney Museum’s 2000 Biennial Exhibition, Spring 2000

Evening of selected films by Eleanor Antin, Winter 2000, “In Character”

Collaboration with newEar, Kansas City’s contemporary chamber music ensemble, including world premiere of Mozart (An Opera After Mozart) by David Cope using Experiments in Musical Intelligence, and Schubertiade by Nick Didkovsky using real-time statistical techniques to shift between radical manipulations and faithfully performed passages, Winter 2000, “In Character”

Office Killer by Cindy Sherman, Sherman’s filmmaking and directorial debut, Winter 2000, “In Character”

Stephen Vitiello and Seoungho Cho perform a live sound mix in collaboration with real-time video editing, Fall 1999, Live Wire: Sound in the Image

Collaboration With Kansas City Filmmakers Jubilee on several occasions, including visiting scholar Neil Sieling’s presentation Digital TV and Interactive Media, Spring 1999

Laetitia Sonami performs a concert of electronic sound-stories utilizing The Lady’s Glove, Fall 1998, Eros of Time

Electromediascope participates in the founding of Kansas City Filmmakers Jubilee, Kansas City’s international juried festival celebrating independent filmmaking, 1997  (www.kcjubilee.org)

Evening of New Japanese Video, Fall 1996, Local Knowledge: New Experimental Documentaries

Celebrating the One-Hundredth Year of Cinema, Fall 1995, Winter 1996 and Spring 1996

Evening of selected films by Hollis Frampton, Spring 1996, Celebrating the One-Hundredth Year of Cinema

Ken Jacobs performs live film concerts on The Nervous System, Winter 1996, Celebrating 100 Years of Cinema

Collaboration with Tivoli Theater to show 35mm films off-site: 
Beth B’s Two Small Bodies, Winter 1995, Alternative Histories and Other Stories
Pat O’Neill’s Water and Power, Spring 1994, New Experimental Works
The Brothers Quay’s Tales from Vienna Woods (Stille Nacht III), Spring 1994, New Experimental Works

Autobus by Zemira Alajbegovic and Neven Korda, videotape from Sarajevo at time of warfare in Bosnia-Herzegovina, Winter 1994, Discourse and Meaning in Postmodern Culture

David Blair’s Wax or the discovery of television among the bees, one of 1st films digitally transmitted to a global audience on the Internet, Winter 1994, Discourse and Meaning in Postmodern Culture

Paul DeMarinis presents sound performances and installational works utilizing computer-based technology, Spring 1994, New Experimental Works

Der Ursprung der Nacht (Amazonas – Kosmos) [The Origin of Night  (Amazonas – Kosmos]) by Lothar Baumgarten, 16mm film, Spring 1993, Inaugural Electromediascope Program

The Journey by Peter Watkins, 6 hours of 14:30 hour-long 16mm film, presented by Scott MacDonald, Spring 1993, Inaugural Electromediascope Program